Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Friday, February 4, 2011

Judith Butler - London, Feb 3, 2011

The event was jointly hosted by Iniva, a government-funded arts organization, and Amnesty International. The talk was on the theme of paternalism, and it was structured as a dialogue with Sundeep Dasgupta.

Dasgupta began by asking, how might cultural institutions avoid the trap of paternalism? Are there forms of power which accrue to the person being paternalized?

What is the who and the what of cultural difference? What does it mean to end a discourse by making the claim that identity is simply fluid, hybrid, or fragmented? What are the problems with making such a conclusion? Dasgupta implied that this kind of conclusion may lead to a notion of universal transferability and a loss of specificity with regard to cultural difference.

In my opinion, these questions were a bit too tentative. People had come to hear Butler, and she turned these questions into something much more complex:

First we must inquire as to basic questions of address--what is the nature of power in a speech situation?
Our operative presumptions in speech situations involve perceived cultural difference.
Terms employed in policy discourses are those already used in scenes of interlocution.
Butler encouraged people to interrupt her: Bertolt Brecht said that 'interruption is everything.'
How is a subject produced through a speech act?
If I extend recognition or allocate funds to a culturally different group, I am establishing a paternalistic relationship of benevolence.
If this Other accepts my allocation they are accepting, potentially enhancing, and augmenting my power to paternalize.
This paternalistic 'I' differentiates him/herself from the recipients of the benefits (the paternalized).
Sometimes, tragically, the more I give, the greater the gulf becomes between myself and the recipient.



States offering recognition to new immigrants is an instance of such paternalism, as is the allocation of human rights benefits based on recognition of the humanness of a subject.
Especially in the U.S., health benefits are distributed paternalistically.
The paternalistic relation is about the distribution of benefits. Some ask, is redistribution taking place equitably?
However, if we think only in terms of redistributive equality we fail to question the presumptive paternalistic sovereignty because we credit the sovereign for equal redistribution.
Butler says this against Nancy Fraser, who fails to focus on the fact that the allocator becomes culturally articulated.
Democracy entails modes of self-governance and self-allocation: the people, not the sovereign.
It requires means of distribution which would not solidify the power of the sovereign and its cultural neutrality.
The power of the paternalized depends on whether or not to ratify the sovereign authority and cultural difference by accepting the allocated good.
Butler is arguing for the dispersion of sovereignty through the rethinking of the culture of benificence and dependency (especially in terms of internal others in a state, i.e. welfare recipients).
Europe is already its others.

Q&A: Mubarak said on television that he will protect Egypt [from itself] against radical democracy. Paternalism is here preventing a democratic outcome.
The question of protection: paternalistic protection vs. necessary/democratic. Under what conditions could protection be non-paternalistic?
It is not enough to say that identity is hybrid. One could be a non-essentialist and be very stuck.
There is a problem of borders which limit and force mobility. Mobility is not necessarily either liberating or bad.
We must look to see how difference is produced and reified.
If one receives the entitlement of the benefit and visibility without changing the paternalistic mechanism of power one gets a split between the institution and the 'multicultural group.'
The act has to unexpectedly call into question the structure of power and democratize the means by which goods are distributed.
The lack of such questioning is what allows works by artists of color to be exhibited in expensive galleries in New York City while public art institutions are failing.
Butler is not saying that the state is bad: there are many different types of state formation. We could think about more radically democratic state formations which inaugurate modes of self-governance which are less paternalistic and undermine paternalism.
Part of this has to do with the 'NGO-ization of social movements.'
Equal distribution is not the same as the problem of justice. A benevolent paternalistic authority can take away what it gives. Against Schmitt, this may not be inevitable.
Those Westerners who say we should have intervened in Uganda to save the life of gay activist David Kato are making a paternalistic gesture.
The apparent self-deconstruction of the paternalistic sovereign can become a moment of the addition to the power of the sovereign.

Tuesday, November 2, 2010

Otolith Group Lecture, - Oct 2010

- The otolith controls balance and orientation in the inner ear
- What happens when you leave this behind, and leave behind gravity?
- Chris Marker provides a methodology to bridge the poetic and the historical, by using a future anterior narrator
- Taking up a mode of exile within the future, because the present proved itself to be impotent and uninhabitable. One way in which it was uninhabitable was that it ignored critique and protest against unjust political policies such as the war
- Making films influenced by Marker was a way of creating shareable emotions - the depression, impotence and anger became shared
- Marker's methodology was non-illustrative
- The films became the meeting place of the postcolonial and the post-communist
- A question of how to make conceptual personae which are both theoretical and artistic at once, with affect, commonality, and the invitation of a shared melancholia

- Through the affective register, any viewer becomes part of a secret communism
- Otolith is strongly influenced by J.G. Ballard's science fiction of the present
- Dwelling within the 'bad new present' rather than the 'good old days'
- Futurity and futurism become a political question in the present. Evidence of this is Bush's politics of pre-emptive war, caught in its own dystopian futural projections

- The work of Karen Mirza and Brad Butler was also important

- The form of the essay-film cancels the distinction between creation and critique, theory and practice. Using image and sound, it registers a common affect of discontent
- The voiceover is the film thinking to itself - telling us nothing, representing nothing, failing productively, making audible the silent voice of reading and thinking
- This is one affect which a video can mobilize in a world with too much video

- Kodwo Eshun grew up in the 'Zone 5' suburbs of London, listening to psychedelic bands like Yes and Gong. He saw the suburbs as a place to plot aesthetic terrorism which is to be unleashed upon the city.
- Otolith is interested in the opacity of the filmic process - creation as a black box and 'essay' as the etymological root in the idea of the 'attempt'